About Adapting Conrad’s Prose to Film

نویسندگان

چکیده

On the example of Apocalypse Now by F. Coppola, Heart Darkness N. Roeg, The Duellists R. Scott, Shadow Line A. Wajda, and Secret Sharer P. Fudakowski, I would like to show that Joseph Conrad’s prose is a cinematic trap for film directors. This being so, attempt answer question as why it so difficult make something cinematic, when read, adaptations closely follow narratives are less Conradian than films which “merely” inspired works.

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ژورنال

عنوان ژورنال: Yearbook of Conrad Studies, Poland

سال: 2021

ISSN: ['1899-3028', '2084-3941']

DOI: https://doi.org/10.4467/20843941yc.19.005.13231